An heiress abandons an out-of-work husband, two sons and a lovesick daughter.

Zurich Opera House production of Franz Léhar's operetta, with Dagmar Schellenberger, Rodney Gilfry, and Ute Gfrerer in lead roles. Baron Zeta is desperate that the fabulously wealthy widow Hanna Glavari marry a Pontevedrian man so that her fortune remains in the country. He attempts to match her and his handsome attaché, Danilo. It turns out that Danilo and Hanna had had a love affair in years past. Nevertheless, Danilo now refuses to love her because he doesn't want to appear like he is only interested in her money...

A morally questionable lord comes to the aid of a working class man who is to be executed for speaking out about thieving rich scoundrels sticking it to the poor.

Franz Lehár’s “Die Lustige Witwe” is reputed to be one of the most famous operettas in the world. Under the direction of the French Jerome Savary's the “Merry Widow” sparkles. At the first staging of this production at the Opera-Comique in Paris (Octobre, 2005) the singers appeared to be having as much fun as the audience. The Austrian Maestro Manfred Honeck presents his musical view on this operetta.

Musical adaptation of A Christmas Carol.

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After the "Squawk Club" closes for the night, the mice come out and put on a show of their own. The Mouse of Ceremonies introduces the vastly-talented Miss Hedy La Mouse, and Hedy stops the show. Elmer, a rube-mouse from out of town, wanders in and falls for Hedy but the jealous M.C. attempts to restrain Elmer. The latter, evidently not all that far from out of town, assists Hedy in a couple of dances, including a Conga in which all the mice join in. But the night janitor, a real party-pooper, shows up, and all the mice scurry for cover.

Old King Cole marries the Woman in the Shoe. As soon as they get home, the babies show up from every drawer and closet, much to the king's chagrin.

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Turn of the century Paris provides the glittering setting for this light hearted tale of political and amorous intrigue amidst the gaiety of Parisian high society.. First performed in Vienna in 1905 and here performed in the English version by Christopher Hassal.